Music composed, arranged, and produced by Dmytro Gordon.
Video directed by Henry Lipatov, and produced by Younk.
Winner of Younk Hit Funding.
The Rabbit (Dog Chase)
Dog Chase scene from “The Rabbit: Or There and Back Again”
Music composed and produced by Dmytro Gordon.
Directed by Maksym Tuzov.
When I’ve Got You
When I’ve Got You (by Dimash Qudaibergen)
Produced by Dmytro Gordon and Dimash Qudaibergen.
Arranged and orchestrated by Dmytro Gordon.
Written by Dimash Qudaibergen, Candice Kelly, and Dmytro Gordon.
To Ukraine with Hope
To Ukraine with Hope
Music composed and arranged by Dmytro Gordon.
Performed by Bogdana Pivnenko and Kyiv Camerata Orchestra.
Conducted by Keri-Lynn Wilson.
Mavka
MAVKA (Music for the Animated Mood Board)
Music composed and produced by Dmytro Gordon.
The Lonely Verge
The Lonely Verge (Main Theme recording)
Music composed and arranged by Dmytro Gordon.
Performed by Kyiv Philharmonic Orchestra, and conducted by Roman Kofman.
Little Blue Dragon Lullaby
Little Blue Dragon (Lullaby)
Produced and arranged by Dmytro Gordon.
Music by Terry Josiah and Yelena Yelizarova.
Performed by Kosi Jah.
Tango of Death
The Tango of Death (Main Theme recording)
Music composed and arranged by Dmytro Gordon.
Performed by Kyiv Philharmonic Orchestra, and conducted by Roman Kofman.
Little Blue Dragon Ad
Little Blue Dragon (Music for an ad)
Music composed and produced by Dmytro Gordon.
Longing for Solitude
Longing for Solitude
Music by Dmytro Gordon.
Clarinet – Katsuya Yuasa
Piano – Dmytro Gordon
“I have always seen music as something more than just simple background noise: It is a character in our story, a motivator in our battles, and a form of healthy escapism that we can dive into and find comfort in when we need it most.”
“I have always seen music as something more than just simple background noise: It is a character in our story, a motivator in our battles, and a form of healthy escapism that we can dive into and find comfort in when we need it most.”
Have you ever heard someone say “music has got to be fun,” or “music has to be beautiful,” or anything similar to these statements? As a musical storyteller, I believe that first and foremost, music has to be truthful. It may be anything: fun or sad, beautiful or ugly, fast or slow, but it has to be right, has to serve the setting or the story, and it has to speak directly to the heart of the listener. I truly believe that this sincerity in a musical work, along with skill and talent, is what makes certain songs or pieces stand the test of time and be loved and listened to throughout years, decades, and centuries. And this truthfulness is precisely what I strive for in every note I write and in every sound I produce.
After becoming one of the youngest students at Berklee College of Music in Boston and graduating with a BA in Composition and Film Scoring, I moved to Los Angeles in pursuit of my dream to write music for visual media, where I have been fortunate to combine my career in composition with orchestration and production for artists and songs. Since then, I’ve been lucky to be part of projects ranging from grand albums of Barbra Streisand and Neil Diamond to startups like the Little Blue Dragon augmented reality app.
Today, I continue to create music for films, TV and radio commercials, video games, and orchestras around the world, as well as collaborating with singers and songwriters.
Have you ever heard someone say “music has got to be fun,” or “music has to be beautiful,” or anything similar to these statements? As a musical storyteller, I believe that first and foremost, music has to be truthful. It may be anything: fun or sad, beautiful or ugly, fast or slow, but it has to be right, has to serve the setting or the story, and it has to speak directly to the heart of the listener. I truly believe that this sincerity in a musical work, along with skill and talent, is what makes certain songs or pieces stand the test of time and be loved and listened to throughout years, decades, and centuries. And this truthfulness is precisely what I strive for in every note I write and in every sound I produce.
After becoming one of the youngest students at Berklee College of Music in Boston and graduating with a BA in Composition and Film Scoring, I moved to Los Angeles in pursuit of my dream to write music for visual media, where I have been fortunate to combine my career in composition with orchestration and production for artists and songs. Since then, I’ve been lucky to be part of projects ranging from grand albums of Barbra Streisand and Neil Diamond to startups like the Little Blue Dragon augmented reality app.
Today, I continue to create music for films, TV and radio commercials, video games, and orchestras around the world, as well as collaborating with singers and songwriters.
